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1. Egberto Gismonti

As the most great musician all over the word, I respect Egberto Gismonti(Brazil;1947-). His famous work 7Aneis, means 7Rings, is so charming among his various works. I played 7Aneis on piano solo by my original arrangement. Composer: Egberto Gismonti(Brazil:1947-) Piano: Tasuku,Okubo

Genre

Piano

Comment by Light Up

Simply amazing. Amazing! I have been in love with this piece, 7 Aneis, for a while now, and would like to give it a shot on the piano. May I ask you, if you've the sheet music to this, since i can't seem to find anything on the wide web?

Egberto Gismonti

Comment by Tasuku Okubo

@nakoris: Thank you for your encouragement ! I also happy if you will listen to Egberto's original piano playing on youtube and so on.

Comment by Tasuku Okubo

Dear Derek Gripper Thank you very much for your listening to my piano playing. I love Egberto Gismonti, especially this piece '7 Aneis'. I listend to your solo guitar's version. It's so nice playing that contains brilliant soul of brazilian music ! p.s. I also love Suth African contemporary music composer Kevin Volans ! Best Regards, Tasuku,OKUBO / Yokohama City, JAPAN

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Comment by derekgripper

Thanks for this Tasuku - it is wonderful piece - here is a version for you on solo guitar: http://newcape.bandcamp.com/track/sete-an-is-seven-rings Yours, Derek Gripper (Cape Town, South Africa) www.derekgripper.com

Comment by Tasuku Okubo

Exif date changer pro full. @sandrapatatina: Egberto Gismonti's music has so many colors and those colors are leads us to happy and prismatic world !

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Comment by sandrapatatina

this is a piece of music on SoundCloud with its beauty of colour-changing clouds!

Egberto Amin Gismonti (born December 5, 1947 in Carmo, state of Rio de Janeiro)^[1] is a Brazilian composer, guitarist and pianist.^[1]

Biography[edit]

Gismonti was born in the small city of Carmo, state of Rio de Janeiro, Brazil, into a musical family. His mother was from Sicily and his father was from Beirut, Lebanon. At the age of six, he started studying the piano at the Brazilian Conservatory of Music. After studying the classical repertoire in Brazil for fifteen years, he went to Paris to delve into modern music. He studied with Nadia Boulanger (1887–1979), after acceptance as a student by the composer Jean Barraqué, a student of Anton Webern and Schoenberg. Boulanger encouraged Gismonti to write the collective Brazilian experience into his music.^[2]

Gismonti is a self-taught guitarist. After returning to Brazil, he designed guitars with more than six strings, expanding the possibilities of the instrument. Approaching the fretboard as if it were a keyboard, Gismonti gives the impression that there is more than a single guitar player. Gismonti's sojourn in the Xingu region of the Amazon basin made a lasting impression. This is documented musically in tunes like 'Yualapeti' and 'Sapain' (Yualapeti shaman, Sapain) and in the recordings Dança das Cabeças (Dance of the Heads, 1977), Sol do Meio-Dia (Noon Sun, 1978), which he dedicated to the Xingu, and Duas Vozes (Two Voices, 1984).^[3]

The musical career of Gismonti spans five decades. The major phases are distinguished by record company, the ensemble format, and the musical collaborators. The most important ensembles are his Brazilian group Academia de Danças, including Mauro Senise (saxophone and flutes), Zeca Assumpção (bass) and Nenê (Realcino Lima Filho, drums and percussion), the duo with Naná Vasconcelos (percussion), and the trio with Charlie Haden (bass) and Jan Garbarek (saxophone). Dança das Cabecas, the first ECM record, was nominated 'Album of the Year' by Stereo Review and received the 1977 Großer Deutscher Schallplattenpreis.^[4]

Discography[edit]

• Egberto Gismonti (Elenco, 1969)
• Sonho '70 (Polydor, 1970)
• Orfeo Novo (MPS, 1970)
• Água e Vinho (EMI-Odeon, 1972)^[5]
• Egberto Gismonti (EMI-Odeon, 1973)
• Árvore (Decca/ECM, 1973)
• Academia de Danças (EMI, 1974)
• Corações Futuristas (Odeon, 1976)
• Carmo (EMI, 1977)
• Dança das Cabeças (ECM, 1977) with Naná Vasconcelos
• Nó Caipira (Odeon, 1978)
• Sol do Meio Dia (ECM, 1978)
• Solo (ECM, 1979)
• Mágico (ECM, 1979) with Charlie Haden and Jan Garbarek
• Circense (1980)
• Folk Songs (ECM, 1981) with Charlie Haden and Jan Garbarek
• Sanfona (ECM, 1981) solo and with Academia de Dancas
• Em Família (EMI, 1981)
• Fantasia (1982)
• Cidade Coração (1983)
• Bandeira do Brasil (1984)
• Duas Vozes (ECM, 1984) with Naná Vasconcelos
• Trem Caipira (ECM, 1985)
• Live at Berlin Jazzbühne Jazz Festival (1984)
• Alma (1986)
• O Pagador de Promessas (1988)
• Dança dos Escravos (ECM, 1989)
• Feixe de Luz (1988)
• Presents a Musical Childhood with Infância (1990)
• Amazônia (ECM, 1991)
• Kuarup (Carmo, 1991)
• Infância (ECM, 1991)
• Casa das Andorinhas (1992)
• Música de Sobrevivência (1993)
• Brasil Musical (1993)
• Zig Zag (ECM, 1995)
• Forrobodó (Carmo, 1996)
• Violão (Carmo, 1996)
• Meeting Point (ECM, 1997)
• In Montreal (ECM, 2001) with Charlie Haden
• Corações Futuristas (EMI, 2001)
• Retratos (EMI, 2004)
• Mágico: Carta de Amor (ECM, 2012) with Jan Garbarek and Charlie Haden

References[edit]

1. ^ ^abAllMusic Biography
2. ^Gilman, Bruce. 'Egberto Gismonti'. Brazzil.com. Retrieved 2016-06-28.
3. ^'Egberto Gismonti'. Biography. ECM Records. Retrieved 2016-06-28.
4. ^'Egberto Gismonti'. Biography. AllAboutJAzz. Retrieved 2016-06-28.
5. ^'Egberto Gismonti é destaque na série 'Discos Fundamentais'' (in Portuguese). OlhoVivo. 2012-11-13. Retrieved 2012-11-13.

External links[edit]

• Egberto Gismonti on IMDb